I Origins (2014)

Day 40: 22/03/2020 *social distancing film club

I Origins, Mike Cahill

Love the part where we see their love to progress but we hear their talk: “what’s your favorite color? what is your favorite fruit?” and it’s not just romantic but gains meaning at the end of the story too. The storytelling format I really like – every scene, every bit is stiched to another one. They all have meaning. All the cool dialogues have meaning, goes a step further than making us think of cool stuff but they also serve the story.

Definitely reading the script of this as a film class. This is the type of a movie that I’d love to have made. Brit Marling is a great creative inspiration too, every project that she is in is opening new worlds to me. Would love to know the books she is reading.

Also love the idea of taking photographs of people’s eyes – it shows in one and thousand images that we are all unique to ourselves but are very similar to each other. It also shows that as humans we all carry a part of the universe in us and just how powerful we are as humans, as part of nature, as part of something bigger than ourselves. Our eyes are like a micro image of space – explosions, atoms and blackholes… they are all there.

Es war einmal Indianerland (2017)

Day 12: 15/04/2018

Es war einmal Indianerland, Ilker Catak

Such a fun film that I watched in Istanbul Film Festival where every scene is thought upon. A lot of time manipulation which not only happens with the editing but also with shooting angles. The movie definitely had a rhythm of its own and the soundtrack is super lively. This could easily be watched as a film class assignment and trying to recreate the scenes would be so much fun. My favorite one is when Mauser gets high and starts hearing noises from water in a plastic bottle when he opens to drink it. When he puts his hand on it like a lit the sound stops and when he opens it again the music starts playing again. One thing I learned from director Ilker is that he told us the actors and actresses who come from acting school stay more truthful to the script whereas the non-schooled ones choose to improvise and play with the dialogues. Interesting to see that native American man in crucial scenes which adds another layer to the movie.

The Florida Project (2017)

Day 10: 24/02/2018

The Florida Project, Sean Baker 

A great example of “Show Don’t Tell” : we are being shown A LOT and said nothing directly. We can see that even though these people are living in those conditions, just around their corner there are beautiful abandoned condos looking over the river and the government is doing nothing to help out, we can see that we don’t need anything material to be happy – indeed you can give the rainbow as a gift to your friend, we can see that people who are in worse conditions than we are may be trying their best to get out of it and can’t (like how Halley is trying to be a waitress to earn money but she can’t, like how she decently tries to sell perfumes but gets threatened to be delivered to the police) => so they would even be doing things they wouldn’t like (like prostituting), we can see that people can be really cruel and even if they are closer to them in terms of social class they could be cruel to each other. It really hurt me as a reality how the police and the social security could come to their door when they wanted to but does not actually help these people out when there are abandoned houses really close to them – we see that Halley really likes her daughter but she is stuck in a circle that she can’t get out of – and if those people can come to her door, they can also help people like her to be out of that cycle.

The scene that affected me the most is when Halley takes Moonee and Jancey to a roadside by hitchhiking, we realize that it is Jancey’s birthday because they have a candle on a cake for her but it is not quite certain why they are at that place – and suddenly fireworks start lighting up the sky. All us lucky kids can understand where they are coming from, Disneyland. 

The characters in this movie could easily be taught in cinema class – both by their own characteristics and their relationship to other characters are really valuable to me. Halley and Ashley are great friends but Ashley is slightly better off than Halley since she manages to work in Waffle store – and this underlines the hardship of Halley even better. Or how Bobby is tough on Halley but always keeps an on the kids.

Also loved how this movie was almost in the form of a documentary – just showing life as it is, no melodramatic scenes, no heavy music, no music to give you a clue on what is gonna happen next – it is almost as if we are being shown raw footage in an order and I really like that in this sense.

I love how the whole world they created is in tones of pink, the motel is painted purple, the sky is always in tones of the golden hour, kids are really colorful and even Halley’s hair is blue. Such a nice take on a difficult condition – doesn’t force you have a bad time watching it, it manages to make you get lost in its own world by giving you the messages it likes to give. This is the sort of a movie I would like to watch again to see the things I haven’t realized the first time.


.On Time.

The Man From Earth, 2007

Jerome Bixby, Richard Schenkman

Dan: Time… you can’t see it, you can hear it, you can’t weigh it, you can’t… measure it in a laboratory. It is a subjective sense of… becoming, what we… are, in stead of what we were a nanosecond ago, becoming what we will be in another nanosecond. The whole piece of time’s a landscape existing, we form behind us and we move, we move through it… slice by slice.

Linda Murphy: Clocks measure time.

Dan: No, they measure themselves, the objective referee of a clock is another clock.

Edith: All very interesting, but what has it got to do with John?

Dan: He, he might be man who… lives… outside of time as we know it.